'Postcards' was just a way of slapping myself in the face and saying, 'You can do anything! Just go for it!'

I realize that 'Postcards' was like input, and 'Ghostwriting' was output. I had all these frustrations and feelings before I did those two projects. 'Postcards' was something that brought new life and creative inspiration into the record, while 'Ghostwriting' was relieving myself.

In the past, I used to rely on the randomness of working with samples, which was a good way because it threw you in a completely different direction. You just thought, 'What if I take this samba drum and combined it with an '80s synth line or something from this record?'

It'a okay to take some break from the crucible steep of stairs that you want to try to achieve, as long as you don't stop in the middle and go down where you have gone this far.

You've gotta go for it, and go for it with gusto.

If something excites you, go for it.