'The Lair of the White Worm' is quite a strange film. It's difficult to be good when you're saying lines that have been translated from Spanish to English by someone who speaks French.

Women are frightening. If you get to 41 as a man, you're quite battle-scarred.

Frankly, I think I'm marvelous in rehearsal! Then you turn the camera on, and it gets stiff and tight. And then you trudge back to your trailer feeling sad. That's been my experience of film acting.

Who you are speaks so loudly I can't hear what you're saying.

But the difference between a good film and real life is that in real life, there's the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause.

[Hurley, whose most famous film is] Austin Powers: International Man of Mystery, ... Four Weddings and a Funeral.