A trilogy is a pretty abstract notion. You can apply it to almost any three things.

I love doing fiction. I love doing performance films and I love doing documentaries that don't have music. I love to shoot and I love to shoot things I'm enthusiastic about.

I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.

I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do.

I'll tell you - what I can tell you is that I know when I saw 'Zodiac' and then again when I saw 'No Country For Old Men,' there was a moment in each of my viewing experiences where I went, 'Dammit, this is scarier than 'Silence Of The Lambs.''

I often find myself feeling that filming music is somehow the purest form of filmmaking. This crazed collision of sound and images, the intense collaboration, these incredibly cinematic performances. And for the nights you're filming, a non-player like me gets to feel somehow part of the band.