A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

If Art relates itself to an Object, it becomes descriptive, divisionist, literary.

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

Art's development should be dialectical and not metaphysical.

When hospitality becomes an art it loses its very soul.