All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist.

My forms are geometric, but they don't interact in a geometric sense. They're just forms that exist everywhere, even if you don't see them.

One of the first drawings I did in Paris - I wasn't thinking of doing drawings, but somehow or other, I kept drawing - I bought a hyacinth flower with a lot of leaves, just to make me feel like spring.

Shape and color are my two strong things. And by doing this, drawing plants has always led me into my paintings and my sculptures.

All my work begins with drawings.

I'm interested in the space between the viewer and the surface of the painting - the forms and the way they work in their surroundings. I'm interested in how they react to a room.