Artistic symbols and myths speak out of the primordial, preconscious realm of the mind which is powerful and chaotic. Both symbol and myth are ways of bringing order and form into this chaos.

There can be no stronger proof of the impoverishment of our contemporary culture than the popular - though profoundly mistaken - definition of myth as falsehood.

It is interesting to note how many of the great scientific discoveries begin as myths.

Indeed, compulsive and rigid moralism arises in given persons precisely as the result of a lack of sense of being. Rigid moralism is a compensatory mechanism by which the individual persuades himself to take over the external sanctions because he has no fundamental assurance that his own choices have any sanction of their own

A myth is a way of making sense in a senseless world. Myths are narrative patterns that give significance to our existence.

Opposites though they are, both solitude and solidarity are essential if the artist is to produce works that are not only significant to his or her age, but that will also speak to future generations.