Because the picture is called 'Veronica Guerin,' you expect a biopic. But it's really about the last two years of her life.

Louise Frogley is a brilliant designer. I always find her wardrobe fittings really informative and creative. Together, you kick images and ideas around.

Don't you find that work, if you love it, is actually really invigorating?

For 'Blue Jasmine,' I made a decision not to wear any make up in the last shot of the film, as I felt like she had such a mask on - I thought it would be a good idea to leave her with nothing and become completely transparent.

I think that's what I love about my life. There's no maniacal master plan. It's just unfolding before me.

I suppose the more established one gets, you have what's called a reputation, and so you want to protect that and preserve that. And I think the bravery really comes in one's mid career where you then are constantly trying to move beyond that and move past that, because those so-called successors can become shackles.