But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

But I don't think of any particular viewer in mind other than myself.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.

When I perform, I like to immerse myself in the music, and I just try to get off on the diversity of music.

When we restore a site, we usually put something in the bottom so, if there's a formal excavation in the future, they'll know where the looters stopped.