But in fact if you look at film as a metaphor, only through the negative can you have the positive print. What I'm trying to get to is the positive value of negation.

Now having said that, I realize that releasing a film in the real world is like trying to get General Motors to release a handmade car.

What I'm trying to do is to at least raise a flag to the blinding light of technology.

To be famous, in fact, one has only to kill one's landlady.

In terms of the feeling of the piece, I cant think about what people are gonna think about it, what are the critics gonna say, I'm trying to bring some resolution, and realize that myself. It's a struggle; it's a process that gets us this.

In fact, almost every job you get somebody watching you.