For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.

When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.

My choices in projects have all been character or role-based, and on a financial level, it's obvious: as an actor on a TV series, I get a wonderful paycheck, and a consistent paycheck, which doesn't always happen when you're doing theater or movies.

First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to get it out. This stuff is pretty out there, mostly sonic collages and tape manipulations.

I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth.

This one's got a story rather than being a series of cool vignettes.