For film and TV, try to have a more conversational tone. For stage, you'll need better diction and bigger vocal production.

Funny enough, every role that I have had, I try to tone down my accent or speak with better diction.

'Ice Age' felt like stage acting. You'd write a sequence, and sometimes you'd submit pages, but other times, I would actually perform it for the directors and producer in my office.

I finished 'Ice Age: Continental Drift' in 2012, and I'm living in my agent's guest bedroom in Los Angeles because you don't make a ton of money writing an animated film. The movie makes a billion dollars, and you make 'twelve cents.'

Vocabulary for aggravation is large. Vocabulary for transcendence is elusive.

I got stuck on the Peter Pan ride when I was nine years old with my dad at Disney World. We got stuck on that part of the ride when you're suspended in the pirate ship above the miniature London, and I was fascinated by the why of it all. 'Why is Peter Peter Pan, why is he in Neverland, how did he learn how to fly, etc.?'