For me, it was easy to work with him. He was so very knowledgeable, but he was ready to listen, and he did.

He was really a neophyte when I first read his work. The O'Neill had rejected it five times, but the sixth time one of my readers said he had improved a great deal. He had learned to write dialogue, and now he was learning to write confrontations between two people.

He hears the language of his people.

What those plays did for the black theater community was tremendous,

It is not a question of how well each process works, the question is how well they all work together.

I was concerned that she would be interested in the job so that she could work out her own demons.