Fortunately, I have always played a lot of sports, so I keep my lungs in good shape. That translates to singing as well.

I'm an old soul. The blues, especially older blues, is the human element that kind of gives the music soul, and I think that maybe not enough people connect to the blues. It's a very powerful place to be; and if you can express that to an audience, I think that you can express a lot through that.

What I do is always hard for me to explain, but it's like a mixture of New Orleans jazz and world music, with a little bit of Spanish flavour. I just take all that and mix it with Chilliwack, and something comes out!

I like mash-ups, taking contemporary songs and making them old... old songs, making them new.

People hear traditional jazz and think it's stale, where there are so many ways it can be opened up. With New Orleans and old-time grooves, there's no limit in what can be done with that. I want to break the stereotype of what traditional jazz is.

There's nothing worse than bad scatting, except maybe bad mouth trumpet. Mouth trumpet may sound like a trumpet, but it's really more like playing a kazoo. The instant you do your solo, the audience has a bit of a chuckle.