Godspell was a good leap for me, it was a good shop window.

I keep working with fairly inexperienced directors. You know, if you have a good crew, a good cameraman, you know, I know what I'm doing. If the actors know what they're doing, we can all pull together, and it works.

I had people when I was younger trying to feel me up. Older men. I just told them to get lost.

So I continued through my next school, which takes me up to the age of 17, moving from the bottom stream of one year into the bottom stream of the next year, all the way through. I showed other talents which gave me self-respect, which is fine.

I have played characters where I haven't been absorbed - you know, what I call a typical film leading man role where you just have to look gorgeous and be attractive and charming. It bores me. I like a bit of dirt, a bit of sand in the oyster.

The danger of dioxins in our environment, our food chain, and our bodies is difficult to illustrate, since they are not visible to the naked eye. My time in Vietnam allowed me to see the result of large quantities of them and therefore understand better the insidiousness of the smaller quantities that have found their way into our lives and bodies.