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Having done so many versions, I never felt like an artist in 'Swan Lake.'

David Hallberg

ArtistDoneFeltHavingLakeLikeManyNeverSwanVersions

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When I went to Moscow, I felt I was relearning Swan Lake - which was written for the Bolshoi - and being immersed in a tradition and history I had never experienced. It took a while to adjust to living there and learning the language, but now I have lots of friends. I get the best of two completely different worlds.
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I have had so many great moments, but I would have to say that dancing the Swan in 'Swan Lake' was such a unique and passionate experience for me. It was such bloody hard work, even at that very early age, that I would not want to try to replicate it again now.
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[Even the warhorses have been exercised. Five years ago, McKenzie came out with a new staging of Swan Lake that] whipped the audience at the Metropolitan Opera House into a frenzied ovation, ... a ballet for both the tired critic and the tired businessman.
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Reydell and Swan Lake look like they haven't fared so well. They haven't gotten any rain down there.
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I will never stop questioning. I will never stop wanting more and discovering other things and wanting to do other things. That will always be a part of me, and it's something I've come to terms with.
— David Hallberg
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