He seems enthusiastic about us as instrumentalists and composers. He likes what we do, so he says he doesn't need to tell us what to do.

Let us not forget that the greatest composers where also the greatest thieves. They stole from everyone and everywhere.

We like working with living composers, see how they think, and find out what they think of us. It enriches us a lot.

He doesn't tell people how to play. Silence is a good thing. If he's happy, he doesn't say much.

Terence was one of the people I was listening to a lot back then. After I worked with him, I thought, man, if I had to get a gig, that's who I would like it to be with.

I think their patience had an effect on us not shooting the ball very well, because we didn't have the ball for a long time.