He was just a raw-boned kid that loved the game and never took a play off. Coming from a small town, he had not learned a whole lot about football. So he would always want to know, 'Coach, should I take a 6-inch step, should I take a 12-inch step, what's my aiming point?' It was like coaching a kid in youth league that wants to ask you a million questions.

Dave Wilson

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Not many guys can make a play on their backhand like that. To see the guy on your forehand is one thing, but to do it twice on your backhand is pretty fun to watch.

The preseason doesn't give you a real grasp of how a guy's going to play. He's very confident in the huddle. It's his team and he brings the offense together and he's a great leader. He was able to manage the game very well for us.

— Cedrick Wilson

For me, the original play becomes an historical document: This is where I was when I wrote it, and I have to move on now to something else.

— August Wilson

I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.

— August Wilson

Harold just keeps getting better. I can't imagine doing this play with anyone else. He had it nailed from the word go, but over the years, you learn things and experience things that enhance the performance.

— Donnie Wilson