His partitioning of the octave in the first ten bars places Varese with Scriabin and the Schoenberg circle among the revolutionary composers whose work initiates the beginning of a new mainstream tradition in the music of our century.

Every limit is a beginning as well as an ending.

Reading a novel is altogether different from reading a newspaper, but it's all language. If you go to a concert, you have some kind of reaction to it. If the newspaper is Chinese, you can't understand it. But if you hear something by a Chinese composer, if it's playful, for instance, you understand.

I would not want you to suppose that my rejection of Allen Forte's theory of pitch-class sets implies a rejection of the notion that there can be such a thing as a pitch-class set. It is only when one defines everything in terms of pitch-class sets that the concept becomes meaningless.

They were putting all the emphasis on her 4½-octave range, and that's not what separates Jessica from all the rest,

There are only two places in the league - first place and no place.