Hope can live in a vacuum.

A character wandering around asking, 'Who am I?' isn't, in and of itself, a story I'm interested in telling.

Some of the best moments I've ever written have come about because someone, somewhere, blew my preconceptions out of the water and dropped a detail in passing that took the work in an entirely new, entirely unexpected, direction.

Your ability to name every single variation of Kryptonite and every first issue in which it appears is a great pop quiz skill, but is not a great writing skill, all right? So just because you can do that doesn't mean you know how to write.

I love 'The Omen,' just as a piece of plotting.

One did not need to believe in the Force to know right from wrong. Many who held no faith in the Force acted righteously, and he had known more than one sentient who had acted selfishly, even cruelly, and used belief to justify doing so.