I always end up taking people that are morally ambiguous.

I tend to always love material with flawed protagonists and morally ambiguous people.

I don't want to expose the intricacies of my work so people can understand how I did it.

That's what I always enjoyed about acting, the real adrenalin rush. My heart - still before I go on stage - crashing out of my chest. That's thrilling to me.

I put a lot of time and energy and thought behind what I do and the characters that I create, and I don't want to do anything peripheral that is going to make an audience see me up there on the screen rather than who I'm playing.

Interest in certain themes doesn't mandate a personal stake or personal experience of those themes. I've killed people in plays, but no one asks me what it's like to kill people.