I don't storyboard, and I don't really shot list. I let the shots be determined by how the actors and I figure out the blocking in a scene, and then from there, we cover it.

Cary Fukunaga

Actor Blocking Cover Determined Figure How List Out Really Scene Shot Shots Storyboard Then

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On 'Sin Nombre,' Adriano Goldman and I improvised a lot of things on-site. We were working with untrained actors, and you can't really block a scene in a traditional way.

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I enjoy setting the scene and coming up with interesting frames. 'True Detective' was a very hands-on set.

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It's so easy for shows to be gritty and handheld and shaky and really tight in people's faces.

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My ideas tend to be either really big in terms of like, the logistics, or really small.

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