I don't think anyone is pro-school shooting.

I love working with rotoscopic animation because under the incredible handpainted artwork are real actors and real human performances.

The amazing thing about rotoscoping is that it's very malleable. Unlike green screen, where the computer subtracts out the background, rotoscoping is an additive technology in that you don't take anything away from the footage - you add layers on top of it.

Active-shooter scenarios have become part of the education lexicon. I had fire drills. My parents had duck and cover - nuclear and atomic bomb drills. Kids today grow up with this idea that this could happen at any point in time.

I appreciate a subdued performance, typically.

In Austin, you work in anything that will pay and a lot of things that don't. The documentary filmmaker may also be a gaffer on a feature and producer for a commercial series and web host. Everyone just does a little bit of everything, and you have to because it's a secondary market.