I don't think it is any different from what it was, except that the method is now familiar so you can't set up some internal shock situation.

I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.

He stood up for what believed .... Don't get confused by the method he used. His legacy is not about the method he used. It's about what he was trying to do.

I think it is very important to be a method actor.

Personally, I've found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working.

I don't research anything.