I get scripts and think, 'There's not enough here to get my teeth stuck into.' That's a result of studying English, where you luxuriate in these big, lush novels.

You're sent scripts, and for some, as soon as you start reading them, you feel an instant connection to the character. You know who they are, you know how to play them, and there is instant enthusiasm. Then, at the audition, you don't have nerves because of that natural affinity.

Everyone talks about the big three-oh with dread - but it's exciting. It feels like life is much more put together. Everyone's like, 'Wouldn't you like to be 20 again?' But no way.

The first thing I look at with a project isn't who's directing, whether it's a big film; it's the character and whether I want to tell her story.

I don't believe in having safety nets - you'll end up using them!

My golf swing is probably the most horrendous you've ever seen. I look like I'm trying to attack the ball.