I guess I don't have a grandiose view of the world in general, and I never believe it when someone else has a grandiose moment.

I remember when I made 'A Scanner Darkly,' going, 'I hope people see it in theater - but I think it's going to be seen in someone's room at two in the morning.' It's that kind of movie. And I would have loved if it had been available on multiple formats at the moment it opened.

I guess I was just always one of those guys who asked those fundamental questions: 'Who am I? What's this for? Why? What does this mean? Is this real?' All these pretty basic questions. I like making movies about people who are self-conscious in that way, and are trying to feel their way through the world.

Hollywood has a way of sucking the world's talent to it.

It was always kind of sad when your favorite punk rockers, like Jello Biafra or someone, would say they hate something you like. It was, 'Oh, I thought we were on the same page.'

Don't borrow someone else's spectacles to view yourself with.