I have a great faith in every generation's ability to come up with its own music.

I was familiar with her music, and I had complete faith in her ability. The piece is well-suited to the instrument. It exploits the many faces of the symphony: lyrical, fanfare and playful. It is very approachable. I think the trombone community will embrace it. I will be very surprised if it doesn't get other performances.

The moment you start to talk about playing music, you destroy music. It cannot be talked about. It can only be played, enjoyed and listened to.

I find Indian music very funky. I mean it's very soulful, with their own kind of blues. But it's the only other school on the planet that develops improvisation to the high degree that you find in jazz music. So we have a lot of common ground.

Interplay and interaction are the integral parts of music - they're as important as the notes.

My whole life has been dedicated to music. And of course, I've been accused a million times of playing too fast or too many notes, and I'm sure justifiably sometimes. But, you know, I'm the way I am and as we grow old, we learn and I'm still learning about space. But I'll be learning about space until I die.