I have a policy of not saying anything negative about anything another magician does.

When I was in college, being a magician was not the classiest thing to be. It was like being a folk singer before Bob Dylan.

I don't put a girl in a box and clap my hands three times, and she's gone. I get in the box, and I vanish, and I reappear at the other side of the stage. That way, people don't think, 'That's a great illusion.' They think, 'Doug's a great magician.'

Now there was no wonder in the Statue of Liberty illusion because he, Copperfield, attempted to do something so large that it stretched the credibility of the audience to the point where most people didn't believe any of it anymore.

If I produce a 450-pound Bengal tiger, it's going to create a lot more wonder than if I produce a rabbit.

It's important to me to create the largest wonder.