I have always been fascinated by the concept of the villain and the hero being in one person,

Outsiders. He had this weird contraption of a drum kit where he was playing half with a tambourine in one hand and the floor tom between his legs -- just to experiment with different ways of setting up.

And the best sort of villain is smart and subtle and so very tricky that you don't even know he's the villain, because he thinks himself the hero in his own story.

There are only three types of citizenship: hero, villain, nobody.

Of course, there's a certain type of person who feels that anything which becomes mainstream has to be rejected immediately. And that's part of the indie-alternative snobbery and hierarchy and elitism.

Although they might not admit it, I think girls are very aware of the impact that they're having. But they never feel it themselves, and it's impossible to explain. It's like trying to tell a blind person what yellow is.