I have found from experience that it is often interesting and useful to start from the edges and work inward - another flaw of mine. I seldom approach things directly. I would have made a great moth.

I'm often associated with parallel narratives or dual narratives. The 'Devil in the White City' was a fluke.

It's like being involved in a detective story, looking for that thing that nobody else has found.

One of the really amazing things about the Lusitania saga was that, at the time, there existed in the admiralty a super-secret spy entity known as 'Room 40'.

Hitler was such an anomalous character - he was so over-the-top chaotic in his approach to statesmanship, his manner and in the violence which overwhelmed the country initially. I think diplomats around the world... felt like something like that simply would not be tolerated by the people of Germany.

I found a delivery in my flaw.