I love the Broadway audiences, who relish live drama and don't hesitate to display their enthusiasm.

I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.

I love audiences.

I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'

I love Broadway shows.

What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.