I majored in Southern history in college, and much of my early work at my first job - as a staff writer at 'Memphis' magazine - focused on race relations.

In my early work, our molecular views of telomeres were first focused on the DNA.

The thing about Memphis is that it's pleasingly off-kilter. It's a great big whack job of a city. The anti-Atlanta. You go there, and you can't believe the things people will say, the way they think, the wobbling orbits of their lives. There's an essential otherness.

My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work.

I love Memphis, I guess you could say, in the way that you love a brother even if he does sometimes puzzle and sadden and frustrate you. Say what you want about it, it's an authentic place. I was born and raised in Memphis, and no matter where I go, Memphis belongs to me, and I to it.

I spent a few years here in Memphis, in the late '70s and early '80s, where I was studying a lot of country blues players and their styles. So it seems like every record I'll do, I will appropriate these blues styles that I remember.