I never ever think we have got a winner wrong.

The album was deemed eligible, we listened to it and we decided it could not fail to move anyone who heard it. That's what a Mercury record should be all about.

It's like learning a language; you can't speak a language fluently until you find out who you are in that language, and that has as much to do with your body as it does with vocabulary and grammar.

I think that one of the things that influences me most as a composer is to what extent I can deconstruct and reconstruct the material that I'm working with.

We went through this business of me writing out all the parts for these old songs from Gravity and Speechless and we'd been performing that, but we don't do that any more.

As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.