I no longer limit myself.

Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.

But I'm an adventurer. I like invention, I like discovery.

So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.

I have composed several pieces which are performed outdoors, not only in the auditoria.

Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.