I see wonderful films by Bertolucci, Visconti, and Fellini.

American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.

The Pirate is surrealism and so, in a curious way, is Father of the Bride.

Color can do anything that black-and-white can.

Dali was the great painter then and surrealism was a way of life.

Fortunately, John Houseman is a marvelous writer and he sat in on so many story conferences. He worked with Welles, you know, and he's a marvelous man.