I think everyone who makes movies should be forced to do television. Because you have to finish. You have to get it done, and there are a lot of decisions made just for the sake of making decisions. You do something because it's efficient and because it gets the story told and it connects to the audience.

I wrote movies every week, that's what I did. It was about finding that moment that is so good, so romantic, so heroic, so exciting - and I literally had producers telling me, 'You have too much visual information.' Because most television is radio with faces. But I kept pushing against it, so the show resonated, and felt bigger than it was.

People love a happy ending. So every episode, I will explain once again that I don't like people. And then Mal will shoot someone. Someone we like. And their puppy.

If you can't run, you crawl. If you can't crawl-- you find someone to carry you.

Horror movies don't exist unless you go and see them, and people always will.

I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw.