I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!

Being insecure - I'm a master, a virtuoso - they can be handing me the keys to the kingdom and all I can think is, I hope I don't drop the key.

Some stories just resonate with you as a storyteller and never leave you. This is a story that just kept haunting me.

The combination of the CGI, 3-D, and sound effects, it's just impossible to separate them. It gives you a more immersive experience, and I prefer that.

There are a lot of things I can take, and a few that I can't. What I can't take is when my older brother, who's everything that I want to be, starts losing faith in things. I saw that look in your eyes last night. I don't ever want to see that look in your eyes again.

I love my stories being multi-layered, and coming at it from different angles, so that you don't understand the film's true emotional motivation until the very end.