I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.

I think women have every right to feel like they're the protagonists in their own stories.

I tend to choose collaborators who are more courageous than I am. I think it's good for me.

Yes, the Bechdel Test. It's named for Allison Bechdel, who is a comic book creator. The test is, are there two named women in the film? Do they talk to each other? And is it about something other than a man? I actually think the Bechdel Test is a little advanced for us sometimes.

I feel like I have a kind of mirror blindness where it's hard for me to characterize or analyze my own work. I suspect I'm not unique in this regard.

If you can remove a female character from your plot and replace her with a sexy lamp and your story still works, you're a hack.