I think some people wished I'd kept myself out of the book. But I kind of insist on it because I want the reader to share my engagement with the material, if you like, not pretend that I'm doing it completely intellectually.

Some people have theorized that I lurched to prove myself intellectually. But it was not any lurch. It was more a kind of awakening.

I tell you one thing that makes me feel I haven't wasted my life, and that is I've got some grandchildren. You can't overestimate the kind of opening to the future that gives a person, I think.

I think what some people are doing with effects is starting to get silly. It's overused.

It's hard for me to characterise myself. I think I'm balanced. Some people might say I'm cold-hearted.

While I was writing 'The Spare Room,' I thought, 'I'm going to look really bad in this book - there's no redeeming this kind of awful, ugly emotion', and I thought, 'I'm not going to change it. I'll call the character 'Helen' and admit to those feelings.' I think this is a reason why people write.