I think what you learn, working on a film or TV set, is how to tune certain things out. You've got 60-100 people swirling around you, each of them with a very important job to do.

Whenever you're working on a film or TV set, the hours are very, very long.

There's just certain things you don't think about to enjoy a film. Bullets in space are one of them.

I think something that's very relevant in real life and that they don't portray enough on TV is that when you think 'Christian,' you think 'goody two shoes' - they have to look a certain way and do certain things - and it's just not true.

Certain things you have to stumble on to. They can't be preprogrammed.

I know what it takes to go from the point where someone's looking at a newspaper article, and thinking, 'Oh, this would make a great TV series,' to the point where you're actually on a set and there's a camera aimed at someone.