I took my uniqueness and treated it like a horn.

I was treated with a miracle drug, just like Lance Armstrong.

Then I took 8 years of French Horn, first jazz, and then classical.

I coined this term 'freedom thru limitation' back in the '90s because I was sick of art being treated like pop, because of this boring 'anything can be art' theory.

I think about Marvin every day. The love I have for this man is unbelievable. We were close; we were like brothers.

All my life, I wanted to sound like myself. I never wanted to sound like anybody else.