I was a really bad teenager and I got my tongue pierced. I don't even remember where I did it, but it was under very surreptitious circumstances.

There are so many remarkable playwrights working right now, that I see everything I can. Annie Baker is a genius, I'll see anything she writes. The same for Lynn Nottage, Cynthia Hopkins, and Lisa D'Amour. Anything they've got going on, I'll go see.

I always felt like there wasn't a blueprint for father-daughter relationships - for them or for us. Because what are they supposed to do with us, treat us like boys, or small women, or what? Father-daughter relationships are so unique from family to family, and I'd love to watch it explored more onstage.

It absolutely helped - to write the father in both 'Juicy' and 'Beasts,' I had to see the whole story from his point of view. All of a sudden I understood more of what my own father must be going through - the fear, the frustration, the anger... the hope that he'll leave a legacy.

I wasn't the best waitress in the world, but I was cheerful and worked hard.

We actually did quite a lot of comedy on 'Xena'. The whole show was very tongue-in-cheek.