I went to the Goodman School of Drama in Chicago.

You asked what is the secret of a really good sketch. And it is a sketch is a small play. It's got a beginning, and a middle and an end. It should have a plot; it should have the characters, conflict. It is a little play. And in it, will be funny stuff.

You have to have a certain persona to be a star, you know, and I don't have that. I'm a banana.

They say it's good but I didn't know what I was doing until I got into the suit and they put the moustache on me, and somehow, when I got all the drag on, it came out. It was the most amazing thing. I'm truly extraordinary.

Then I got out of the service, and I was going to be a Shakespearean actor.

Although in Abbott and Costello, and straight man was first. That's a very interesting concept.