I will refine somebody in a minor way, but I don't want to totally change them. I don't want them to look like plastic dolls.

I like to talk to people and, obviously, to photograph them.

When you put an individual on the cover of a big picture magazine, like 'Life of Look', their career skyrocketed. As a photographer, you were very empowered; people came to you, bowing to you and what you represented.

When you look at my pictures, you are seeing my life.

I did photograph Angelina Jolie up in Vancouver when she was making 'Life Or Something Like It', and they gave me the drawings they wanted me to photograph of her up there, but she didn't really care for them that much, and ultimately they weren't even used.

I have a genuine philosophy. I do not want to make negative pictures about people, and so I do everything I can to help make them feel comfortable in front of the camera. That is what is going to control your picture, because you are alone if your subject is not with you. And that's the simple answer to getting a good picture.