I'm not a model, so the idea of modelling a suit or clothes is weird in itself.

I really think about the clothes and the cut of the clothes, so we try to work the decoration into the seams. We've added borders, piping and again more top stitching -- things that give dimension to otherwise flat fabrics.

But the customer is the final, final filter. What survives the whole process is what people wear. I'm not interested in making clothes that end up in some dusty museum.

Luxury is anything you don't need, right? I mean, you need food, water, clothing, shelter... but good wine, good food, beautiful interiors, nice clothes; those aren't necessities, they are luxuries - it's all luxury.

I love my life. I can't believe I work in New York and Paris. That I work for Louis Vuitton. That I work for Marc Jacobs. It seems really weird every time I say my full name - like, that's me, and every time I hear the receptionist say my name, it's still weird.

I don't think there is just one Louis Vuitton woman. That is why, for the fall/winter 2011 show, I loved the idea of lots of different characters - a wife, a mistress, a girlfriend - stepping out of the row of hotel elevators.