I'm very strongly in favor of the auteur theory.

I was very inspired by Les Blank's film 'Burden of Dreams.' I think what's unique about his film and the two I've made is that they're close examinations of filmmakers and how their own emotional experiences reflect in the material they're rendering, and vice versa - how that material sometimes colors their own lives.

I'm fascinated by failure, and I'm fascinated by finality. Shakespeare's historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful.

I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.

Simon Monjack had nothing to do with 'Factory Girl.' He filed a frivolous lawsuit against us... making bogus claims that we had stolen his script. He held us literally to hostage and we were forced to settle with him as he held our production over a barrel.

I always say be humble but be firm. Humility and openness are the key to success without compromising your beliefs.