I've always found it strange that a director can hire any designer he wants from any country. But if he hires a foreign actor, it's like he's stolen the crown jewels and run across the river with them.

When we opened the closet to see grandmother's jewels, we found that everything had been stolen,

'Playboy After Dark' is one of the jewels in Playboy's crown and was considered an important cornerstone in Hugh Hefner's legacy. It was groundbreaking, in terms of being interracial, intergenerational and in terms of its format.

The Old Vic has always been first and foremost an actors' theatre, a home for great talent and memorable performances.

It is fantastic to be found in a foreign country.

Audiences grew to like this duality of feeling, where you're both championing a character and you're revolted by them.