I’d always done a lot of (sniffing) glue as a kid. I was very interested in glue, and then I went to lager and speed, and I drifted into heroin because as a kid growing up everybody told me, ‘don’t smoke marijuana, it will kill you’ . . .

It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.

For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.

I don't want everything to be flowery perfection. I like it there to be a charge behind it, you know?

I've eaten ice cream from all over the world, but until you've tasted Graham's from Geneva, Illinois, you haven't had ice cream at all.

I think that every project offers an opportunity to reinvent process as well as content.