If you want to know what London looked like in 1947, with all the bomb-sites, 'Hue and Cry' will tell you. And when I shot 'The Lavender Hill Mob' four years later, it didn't look that different.

I can't tell you why there hasn't been a hue and cry about this. Maybe it's just because the baby boomers aren't quite old enough to be affected by it yet.

So long as you've got one good eye, the other one is just back-up.

It's a weird feeling to have outlived virtually everyone you ever worked with.

I was as disappointed as everybody else was. There was a loud hue and cry about the amount, that the House budget was less than the governor's budget on Chapter 70. That was not taken lightly.

The Eyemo was heavy and could be noisy. Once, I was in an auditorium filming a speech made by Goebbels when, suddenly, it decided to emit a huge snarling sound. Goebbels froze, and hundreds of uniformed Brownshirts turned and glared at me in anger. It was not a comfortable moment.