I'll wait and see how the new arrangement goes,

not an arrangement.

I like to explore a lot of textural, arrangement aspects in the studio.

Every day we wait is a day wasted. If we look back in 2012 and say, 'We should have done that', then we all need shooting.

We have a couple arrangements of piano pieces, a xylophone rag or two, an arrangement of an orchestral piece, an arrangement of a piece from an opera composer, and a quartet for mallet percussion and some other percussion.

They've got a nice arrangement.