I'm not suspicious, I'm just careful.

The most interesting aspect for me, composing exclusively with patterns, is that there is not one organizational procedure more advantageous than another, perhaps because no one pattern ever takes precedence over the others.

I've been living with the minor second all my life and I finally found a way to handle it.

Music is essentially built upon primitive memory structures.

I was once married to a woman who could eat anything and tell you what was in it: the most complicated recipes. Her memory of taste - now that's what I call memory!

Just what the hell is the experimental tradition?